Check out the Site three shorts have been submitted... The gibbering horror of howard ghormley (2005) 12:00 In the pulp tradition of weird fiction, and old time radio horror serials, a man while bicycling through the countryside, finds a strange key that soon unlocks a horrifying realization. Winner of "Best Short Film" on the Fangoria Blood
Drive 2 dvd compilation.  Dvd features a special "day in the life" featurette with horror film legend Bruce Campell, and behind the scenes wth acclaimed special effects studio KNB EFX. Released October 2005 and globally distriubted by Koch Vision and Fangoria. Available, but not exclusively, for purchase from:
Amazon
Bestbuy Kind Words: "Steve Daniels needs to be praised for having the guts to avoid gratuity and grue. Instead, he has delivered up a strange and surreal slice of psychological terror. This is really not a horror film in the traditional sense - it is more a dissertation on mental illness and the perspective of the insane. There is some incredible camerawork here, an effective repetition of key shots and a marvelous use of shadows and darkness. The creepy ambiance really helps push us past some of the more perplexing elements in the plot, and the lead performance is wonderfully confused and concerned. This is a very interesting idea, and while one could easily see it being expanded even further, what Daniels has accomplished here is just remarkable."
-- DVD Talk, Bill Gibron The Flying Squirrel (2002) 3:30 
This short, edit-in-camera documentary follows one man and his passion for riding lawnmower racing. notes: This film was created for the Flicker Festival "Attack of the 50 Foot Reels" contest in Los Angeles. It premiered at the historic Egyptian Theatre in Hollywood. Assault on 213 (2001) 4:00 
After a man's home is invaded by thugs, he fights back with a deadly secret weapon. 

notes: With a titular nod to John Carpenter's "Assault on Precinct 13", this film was "edited in camera" for the 2001 Los Angeles Flicker "Attack of the 50 Foot Reels" contest. Contestants were given one reel of super 8 film and challenged to shoot a film chronologically, editing the film in camera as it progressed with each start and stop of the camera. As with most of my films, Ennio Morricone's music was heavily aped and edited in later.

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